NTL returns: see the hilarious, award-winning, one-woman show that inspired the BBC’s hit TV series! Written and performed by Phoebe Waller-Bridge, FLEABAG is a rip-roaring look at some sort of woman living her sort of life. Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg... "Filthy, funny, snarky and touching." – Telegraph Part of the Theatre From London Series. The Starlight Room has only 46 seats; advance tickets recommended. The theatre opens at least 30 minutes, and up to 45 minutes in advance. Please arrive early in order to secure your preferred seats, especially for parties of 2 or more. NR, 1h 20m.

The final film of 2023's Summer of Studio Ghibli at the Rose. From Ursula LeGuin's masterpiece comes the classic tale of redemption and self-discovery, TALES FROM EARTHSEA. As crops dwindle and dragons reappear, mankind stands on the verge of total chaos, uniting a troubled young prince and mysterious wizard to search for the force behind the imbalance that threatens to destroy their land. PG-13, 1h 55m. Dubbed in English.

It's time to dust off the big suit. One of the best concert movies of all time, and a Rose Theatre tradition! Director Jonathan Demme's STOP MAKING SENSE (1983) captures the Talking Heads in their prime, with their timeless music and unforgettable staging. This film is meant to be played loud... NR, 1h 28m.

An epic journey of friendship and self-discovery set in the breathtaking Italian Alps that follows the profound, complex relationship between Pietro from Turin, and Bruno, who grew up in an isolated mountainside village, over four decades. Patient and profound, THE EIGHT MOUNTAINS reaches breathtaking peaks in its careful observance of an intimate friendship. In Italian with English subtitles. NR, 2h 27m.

With a winning comedic ensemble cast (led by Tony Award winner Ben Platt) and boundless creativity, THEATER CAMP wears its cult-following potential squarely on its sequined shoulders, gifting us with instantly quotable lines and zany, lovable characters in the kind of hilarious mockumentary that deserves rapturous applause. PG-13, 1h 34m.

An affirming experience for those who line their living spaces with physical media in one form or another, Davide Ferrario’s film takes us on a tour of celebrated Italian author and philosopher Umberto Eco’s private library, guided by the author himself. Combining new footage with material he shot of Eco in 2015, Ferrario documents this incredible collection and the vastly prolific and original thinker who amassed it. In Italian with English subtitles. NR, 1h 20m.

An aspiring toy designer's work visa runs out, and a job assisting an erratic art-world outcast (Tilda Swinton in maximalist, extravagant form) becomes his only hope to stay in the country and realize his dream. Imaginative, impressive, and hilarious, PROBLEMISTA is a surreal adventure through the equally treacherous worlds of New York City and the U.S. Immigration system. R, 1h 38m.

As a patriarchal family yearn for the birth of a baby boy to continue their family line, their youngest son secretly joins an erotic dance theatre and falls for a transgender starlet. In Urdu with English subtitles. NR, 2h 6m.

This comedy caper follows Jamie, an uninhibited free spirit bemoaning yet another breakup with a girlfriend, and her demure friend Marian who desperately needs to loosen up. In search of a fresh start, the two embark on an impromptu road trip to Tallahassee, but things quickly go awry when they cross paths with a group of inept criminals along the way. R. 1h, 24m.

Three close friends who have never left the outskirts of Dublin (much less Ireland) get the journey of a lifetime – a visit to Lourdes, the picturesque French town and place of miracles. Filled with heart and humanity, THE MIRACLE CLUB is a story of faith and forgiveness, heartbreak and healing, regret and redemption. Check your cynicism at the door, and let this magnificent ensemble cast carry you away. PG-13, 1h 31m.

Enormous in theme and achievement, KILLERS OF THE FLOWER MOON is a sobering appraisal of America's relationship with Indigenous peoples and yet another artistic zenith for Martin Scorsese and his collaborators. When oil is discovered in 1920s Oklahoma under Osage Nation land, the Osage people are murdered one by one – until J. Edgar Hoover's FBI steps in to unravel the mystery. Based on a true story and told through the improbable romance of Ernest Burkhart and Mollie Kyle, this staggering piece of cinema is an epic western crime saga, where real love crosses paths with unspeakable betrayal. R, 2h 26m.

American composer Jake Heggie’s masterpiece, the most widely performed new opera of the last 20 years, has its highly anticipated Met premiere in a haunting new production. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, DEAD MAN WALKING matches the high drama of its subject with Heggie’s beautiful music and a brilliant libretto by Tony and Emmy Award–winner Terrence McNally. Part of the Metropolitan Opera Live Series. The Starlight Room has only 46 seats; advance tickets recommended. The theatre opens at least 30 minutes, and up to 45 minutes in advance. Please arrive early in order to secure your preferred seats, especially for parties of 2 or more. 3h 15m.

A curmudgeonly instructor at a New England prep school is forced to remain on campus during Christmas break to babysit the handful of students with nowhere to go. Eventually, he forms an unlikely bond with one of them — a damaged, brainy troublemaker — and with the school’s head cook, who has just lost a son in Vietnam. R. 2h, 32m.

Anthony Davis’s groundbreaking and influential opera arrives at the Met at long last. Theater luminary and Tony-nominated director Robert O’Hara oversees a potent new staging that imagines Malcolm as an Everyman whose story transcends time and space. An exceptional cast of breakout artists and young Met stars enliven the operatic retelling of the civil rights leader’s life. Part of the Metropolitan Opera Live Series. The Starlight Room has only 46 seats; advance tickets recommended. The theatre opens at least 30 minutes, and up to 45 minutes in advance. Please arrive early in order to secure your preferred seats, especially for parties of 2 or more. 3h 25m.

Inspired by the magical realism of Gabriel García Márquez, Mexican composer Daniel Catán’s opera tells the enchanting story of a Brazilian opera diva who returns to her homeland to perform at the legendary opera house of Manaus – and to search for her lost lover, who has vanished into the jungle. This spellbinding new production brings the mysterious realm of the Amazon to the Met stage. Part of the Metropolitan Opera Live Series. The Starlight Room has only 46 seats; advance tickets recommended. The theatre opens at least 30 minutes, and up to 45 minutes in advance. Please arrive early in order to secure your preferred seats, especially for parties of 2 or more. Sung in Spanish with English subtitles. 2h 35m.

Ancient Babylon comes to life in a classic Met staging of biblical proportions. Baritone George Gagnidze makes his Met role debut as the imperious king Nabucco, alongside soprano Liudmyla Monastyrska reprising her thrilling turn as his vengeful daughter Abigaille. Daniele Callegari conducts Verdi’s exhilarating early masterpiece. Part of the Metropolitan Opera Live Series. The Starlight Room has only 46 seats; advance tickets recommended. The theatre opens at least 30 minutes, and up to 45 minutes in advance. Please arrive early in order to secure your preferred seats, especially for parties of 2 or more. 3h 10m.

Acclaimed director Carrie Cracknell brings a vital new production of one of opera’s most enduringly powerful works, reinvigorating the classic story with a staging that moves the action to the modern day and finds at the heart of the drama issues that could not be more relevant today: gendered violence, abusive labor structures, and the desire to break through societal boundaries. Part of the Metropolitan Opera Live Series. The Starlight Room has only 46 seats; advance tickets recommended. The theatre opens at least 30 minutes, and up to 45 minutes in advance. Please arrive early in order to secure your preferred seats, especially for parties of 2 or more. 3h 45m.

Music Director Yannick Nézet-Séguin conducts Verdi’s grand tale of ill-fated love, deadly vendettas, and family strife, with stellar soprano Lise Davidsen as the noble Leonora, one of the repertory’s most tormented – and thrilling – heroines. The company’s first new FORZA in nearly 30 years sets the scene in a contemporary world, making extensive use of the Met’s turntable to represent the unstoppable advance of destiny that drives the opera’s chain of calamitous events. Part of the Metropolitan Opera Live Series. The Starlight Room has only 46 seats; advance tickets recommended. The theatre opens at least 30 minutes, and up to 45 minutes in advance. Please arrive early in order to secure your preferred seats, especially for parties of 2 or more. 4h 25m.

Two singers at the height of their powers – radiant soprano Nadine Sierra and tenor sensation Benjamin Bernheim – come together as the star-crossed lovers in Gounod’s sumptuous Shakespeare adaptation, with Met Music Director Yannick Nézet-Séguin on the podium to conduct one of the repertoire’s most romantic scores. Part of the Metropolitan Opera Live Series. The Starlight Room has only 46 seats; advance tickets recommended. The theatre opens at least 30 minutes, and up to 45 minutes in advance. Please arrive early in order to secure your preferred seats, especially for parties of 2 or more. 3h 35m.

Puccini’s bittersweet love story makes a rare Met appearance, with soprano Angel Blue starring as the French courtesan Magda, opposite tenor Jonathan Tetelman in his highly anticipated company debut as Ruggero, an idealistic young man who offers her an alternative to her life of excess. Maestro Speranza Scappucci conducts Nicolas Joël’s Art Deco–inspired staging, which transports audiences from the heart of Parisian nightlife to a dreamy vision of the French Riviera. Part of the Metropolitan Opera Live Series. The Starlight Room has only 46 seats; advance tickets recommended. The theatre opens at least 30 minutes, and up to 45 minutes in advance. Please arrive early in order to secure your preferred seats, especially for parties of 2 or more. 2h 50m.

Extraordinary soprano Asmik Grigorian tackles the demanding role of Cio-Cio-San, the loyal geisha at the heart of Puccini’s devastating tragedy. Tenor Jonathan Tetelman stars as the callous American naval officer Pinkerton, whose betrayal destroys her. Acclaimed maestro Xian Zhang takes the podium to conduct Anthony Minghella’s vivid production. Part of the Metropolitan Opera Live Series. The Starlight Room has only 46 seats; advance tickets recommended. The theatre opens at least 30 minutes, and up to 45 minutes in advance. Please arrive early in order to secure your preferred seats, especially for parties of 2 or more. 3h 15m.